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This body of work begins with traditional black-and-white photography captured on film and developed by hand in the artist's
darkroom. The original negatives are then transformed through the chromoskedasic Sabattier process, an experimental
photographic technique that alters tonal relationships and creates metallic, luminous, and unpredictable surfaces. Through this
process, familiar subjects — flowers, trees, branches, and landscapes — shift into dreamlike forms that exist between memory
and abstraction.
Each piece embraces imperfection, chemistry, and chance. The resulting images feel simultaneously archival and contemporary,
revealing textures and tonal variations that cannot be fully replicated digitally. By combining analog photography with
experimental darkroom manipulation, the work explores themes of transformation, fragility, memory, and the unseen
emotional landscapes embedded within the natural world
This body of work begins with traditional black-and-white photography captured on film and developed by hand in the artist's
darkroom. The original negatives are then transformed through the chromoskedasic Sabattier process, an experimental
photographic technique that alters tonal relationships and creates metallic, luminous, and unpredictable surfaces. Through this
process, familiar subjects — flowers, trees, branches, and landscapes — shift into dreamlike forms that exist between memory
and abstraction.
Each piece embraces imperfection, chemistry, and chance. The resulting images feel simultaneously archival and contemporary,
revealing textures and tonal variations that cannot be fully replicated digitally. By combining analog photography with
experimental darkroom manipulation, the work explores themes of transformation, fragility, memory, and the unseen
emotional landscapes embedded within the natural world